White pours split into two personalities: opaque porcelain, which makes a sculpt look like a museum piece, and translucent “ghost” white, which goes milky and semi-see-through in soft silicone. Both photograph beautifully, which is why makers use white for showing off new sculpt details.

White is everywhere in fades too — most tip-to-base gradients start from white or near-white, so the family count includes a lot of pours where white is the highlight rather than the whole story.